Re: Celtic body art? pre-christian
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Posted by rob penston on December 29, 1999 at 19:31:47:
In Reply to: Re: Celtic body art? posted by Phoenix and Arabeth on January 22, 1998 at 02:21:57:
I cant wait for my next tattoo I am Irish and think this will be a great addition to my collection.: Well this is a fun subject. Most people think of the : elaborate interlocking knotwork of Irish art as "Celtic" today. : However, this was almost entirely developed by Irish Christian : monks to illuminate holy manuscripts from ca. 700 AD on. : Of course, at this point nudity, tattooing and body-painting : would have been forbidden by the Catholic Church and : largely disappeared. : What would be authentic Celtic art that was what most : assuredly what Caesar and other Roman authors saw on : the bodies of the Celtic and Gaulish warriors was the : more ancient form known as "La Tene" style, named by : archeologists after a site in France where this type of art : was first discovered. There are many examples from the : British Isles as well. It is very curvilinear, with : plenty of spirals, but no knotwork. It tends to have : a fair amount of large solids in it, and has something : of the feel of the yin-yang symbol graphically speaking. : You have to dig for this stuff, but there is a little : of it in many Celtic knotwork artbooks (seeGeo. Baine), : and there are at least one or two books devoted to this : ancient pre-Christian era of Celtic art. : In practical terms (having done the northern California : Rennaisance Faire where 7 artists applied henna to : about 2500 eager customers last summer, and British/Celtic : design is very popular) we found that the ancient : triple spiral symbol was very popular and easly to do. : Also a running spiral (aka "Greek/Minoan waves") gives : a very Celtic feel for a bracelet or arm band. : Triple spiral and running spiral combined for a very : strong armband. This well satisfied most peoples' : expectations of a "Celtic" henna design. : We practice henna as a stricly immediate, freehand medium : without using patterns. This makes the comples geometry : of Celtic knotwork very difficult to pull off. The : one thing we used fairly successfully is the endless : knot of Tibetan Buddhism (one of the 8 auspicious : symbols) which most people see and accept as Celtic. : And indeed there is a connection between these 2 widely : separated peoples from very ancient times (1-2,000 BC) : but that is another story.
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